I became interested in photography when I picked up my first 35mm analog camera, trying to capture life in Warsaw in the late 1980s. I spent hours in the darkroom developing films and exposing black-and-white prints.

While I don't consider myself a minimalist, I strive to live surrounded by what is important and to reject everything unnecessary. My photography serves as a dialogue with silence, form, and light. I observe the world in search of geometry, order, rhythm, and the emotions hidden within urban structures. I am drawn to what is silent, static, and often overlooked. My art springs from a fascination with architecture, the simplicity of form, and the language of light, which, when truly seen, speaks louder than words.

I work exclusively in black and white, as color would be excessive for my vision. I compose my images in a square format, a perfect, enclosed shape that captures the essence of the subject. I seek beauty in minimalism. My photographs are not mere documents; they are meditations on space, form, and the interplay of light and shadow. I pause in moments when geometry transforms into emotion and shadow becomes a voice.

For me, photography is a form of contemplation. I observe how light moves across forms, revealing architecture in its rhythm and emptiness. I seek to achieve a balance between what is man-made and what is ephemeral and fleeting.

I approach photography as an art of interpretation and reflection. I aspire to have my work exhibited in galleries and collections worldwide, where it may resonate with viewers regardless of cultural context. I believe an image can be silent, allowing viewers to discover their own emotions.